The central desk: one connection card, held across a whole series. Standard frames at 6 credits, premium reserved for covers.
Every connection in this studio starts at the same desk: a fictional adult woman, described once and described well. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the frames that will front a pack or anchor a profile. Between those two prices sits the whole craft of the generator, and it is a directory-keeper’s craft: the character’s description is her connection card, and a connection card is never rewritten from memory at a later tool.
Write the connection card with five fixed entries, always in the same order: her age as a plain number, 25 or over; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the mole, the small scar, the stud she never removes — that lets a viewer recognise her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single variable line carries what changes: the outfit, the room, the hour, the light. Hold the card steady and the series stays connected across weeks of work; let it drift and no model setting will reconnect her.
Concrete entries survive every connection. “Long ash-silver hair in a single sleek mermaid braid” renders the same woman at every tool; “gorgeous hair” is a mood, and moods are reinterpreted at every generation.
Make a set in one setting under one light, then change a single thing. A series is built from deliberate single changes, not from re-rolling a prompt and hoping the same woman reconnects.
Generate generously at the standard price, then cull hard. Edits, swaps and upscales are finishing prices — spend them only on frames that survived the cull.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The frame at the front of a pack, made to the same measure as the work listed inside it.
Stills composed with room to move — space around the subject, a direction left open — ready to connect to the video tool.
“Fictional 35-year-old woman, long ash-silver hair in a single sleek mermaid braid over one shoulder tied with a slate-blue ribbon, cool fair skin, a small ice-blue stud in her right ear; pale slate-blue satin-and-lace lingerie set with an ice-white sheer longline robe slipped off one shoulder, standing in a glacier-blue glass directory lobby with frosted wayfinding panels and a tall illuminated directory wall behind her, editorial photograph.”
Everything before the semicolon is the connection card — it never changes. The variable after it is the only new entry in this frame.
“Fictional 35-year-old woman, long ash-silver hair in a single sleek mermaid braid over one shoulder tied with a slate-blue ribbon, cool fair skin, a small ice-blue stud in her right ear; the same slate-blue lingerie set, standing against a plain slate-grey studio wall, one shaft of cool daylight from the left, editorial photograph.”
A bare listing is the honest test of a connection card. If she is still herself against a blank wall, the card is sound and the set can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Price | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The connection card was rewritten from memory | Paste the same card every time; vary only the variable line |
| The frame feels crowded and confused | Too many objects and actions in one brief | One place, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the price of one standard frame. That is one new frame connected at the hub every day, for as long as you keep checking in. Credit packs are there for the days when the work runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
Write her connection card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the variable line below it.
No. Frames rest private in your account at the hub. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination demands more, the image upscaler listing is the finishing connection.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator